Donna Soto-Morettini
Donna SotoMorettini

Dr Donna Soto-Morettini

Senior Lecturer

Biography

I became a performer at the age of 15, and for many years worked throughout the western United States, Canada and Japan as a singer and an actress. I came to the UK in 1984 to complete a DPhil in British Political Drama at Oxford University (under the supervision of Terry Eagleton), and I have been training actors in the UK for more than two decades. In 1990 I became Head of Acting at the Central School of Speech and Drama in London, and moved on from there in 1994, where I led the team that was awarded the first BA degree for vocational acting in the UK. I also designed and launched MA degrees in acting and playwriting. In 1994 I became the founding Head of Acting & Dance at the Liverpool Institute for Performing Arts, where we designed and launched the first interdisciplinary BA in Performance in the UK. From 2001-7 I served as Director of Drama, Head of Musical Theatre, and Director of International Development for the Royal Scottish Conservatoire, and while there I designed and launched the BA in Digital Film and Television and the MA in Musical Theatre. Since starting at Napier in 2011 I have written, validated and launched the BA Acting for Stage & Screen, BA Acting & English, MFA Directing, MFA Playwriting and MFA Acting.

In 2005 I wrote and presented a 4 part-series for BBC Radio Scotland, called Singing School, and in 2007 I began working again in the industry. In that time I鈥檝e worked extensively in television both as a casting director and performance coach for BBC, ITV, and others.

I live in Edinburgh where I work as a writer, a freelance performance coach and director and as a Senior Lecturer at 麻豆社区. My research areas include historiography, acting theory, philosophy of consciousness, artificial intelligence and cognitive science. Along with books, I鈥檝e published many journal articles, and presented workshops and master classes on performing, auditioning and singing in various places throughout the UK, Europe and the United States.

Esteem

Advisory panels and expert committees or witness

  • Grand Jury member Global Search for New Musicals, Cardiff International Festival of Musical Theatre, January 2005
  • Selection Panel, Board of Governors, National Theatre of Scotland
  • BAFTA Jury member, Best Actor/Best Actress, Scottish Film, 2005

 

Editorial Activity

  • Assistant Editor, Theatre Journal, John Hopkins Press, 1980 鈥 1983

 

External Examining/Validations

  • External Examiner, Birmingham School of Acting (2002 - 2007)
  • External Examiner, New Lanarkshire College (2012 鈥 2015)

 

Fellowships and Awards

  • U.C.Irvine, Theatre Guild Award in Acting, 1982
  • U.C.Irvine, Distinguished Alumni Award, 1999
  • Regents Fellowship, UCI, 1981, 1982

 

Invited Speaker

  • 鈥淐onstructing National Identities: The New National Theatre of Scotland鈥, Conference, Trinity College, Dublin, March 2005
  • 鈥淗oward Brenton in Conversation鈥 ICA Video library, interviewer, presenter, 1988
  • 鈥淒isturbing the Spirits of the Past鈥, Brussels and Liverpool John Moores, Summer 2000
  • 鈥淩ethinking Voice Training鈥, published conference proceedings, CSSD, 1995
  • 鈥淭he Cognitive Architecture of Performance鈥, PSI conference, Utrecht, April 2011
  • 鈥淭wenty Years of Feminism鈥 Conference organiser in association with Routledge Press, ICA London,1989
  • 鈥淕eorg Lukacs reconsidered鈥, Oxford English Ltd., Oxford, 1988
  • 鈥淭eaching Vocal Style鈥, published conference proceedings Interactive 2000, Liverpool, 2000
  • 鈥淥ut of Apathy鈥 conference, Panel Chair: Aesthetics and the New Left: Lindsay Anderson and Trevor Griffiths, Oxford, 1987
  • 鈥淔raming the Imaginary: Michael Frayn鈥檚 Democracy鈥 鈥 IFTR congress, St Petersburg, May 2004
  • 鈥淣on-Traditional Casting and Actor Training鈥, conference organiser, panel chair at presenter, CSSD, 1994
  • 鈥淩eading Silence鈥, Chair and presenter, Conference 鈥淗ands up for China, ICA London, 1989
  • 鈥淩ude Scottish Drama and the 鈥楶sychosomatics of the Zeitgeist鈥欌 In-yer-face, University of Western England, Bristol, September 2002
  • 鈥淕unter Grass and Bertolt Brecht鈥 Presentation for the School of Criticism and Theory, UC Irvine, 1983
  • 鈥淢emories and Aspirtions: Scotland鈥檚 State of the Nation Trilogy鈥 FIRT/IFTR, Amsterdam, Summer 2002

 

Reviewing

  • Theatre Journal, Feminist Review and Methuen Drama

 

Date


24 results

Mastering the audition: how to perform under pressure.

Book
Soto-Morettini, D. (2011)
Mastering the audition: how to perform under pressure. Methuen

The cognitive architecture of performance.

Presentation / Conference
Soto-Morettini, D. (2011, May)
The cognitive architecture of performance. Paper presented at PSI Conference #18, Utrecht, Netherland

The Philosophical Actor: A Practical Meditation for Practicing Theatre Artists.

Book
Soto-Morettini, D. (2009)
The Philosophical Actor: A Practical Meditation for Practicing Theatre Artists. Intellect Ltd
There have been many books published on acting, actor training, and practical theories for preparing for a role, but none of these books have ever looked philosophically at th...

Popular Singing: a practical guide to Pop, Rock, Blues, Jazz, Country and Gospel.

Book
Soto-Morettini, D. (2006)
Popular Singing: a practical guide to Pop, Rock, Blues, Jazz, Country and Gospel. A & C Black
Donna Soto-Morettini is one of the top performance coaches in the industry and has worked as casting director and performance coach for the hit BBC reality casting shows, I'd ...

Trouble in the house: David Hare'sStuff Happens

Journal Article
Soto-Morettini, D. (2005)
Trouble in the house: David Hare'sStuff Happens. Contemporary Theatre Review, 15(3), 309-319. doi:10.1080/10267160500217640
No abstract available.

Framing the Imaginary: Michael Frayn鈥檚 Democracy.

Presentation / Conference
Soto-Morettini, D. (2004, May)
Framing the Imaginary: Michael Frayn鈥檚 Democracy. Paper presented at International Federation for Theatre Research Conference, St Petersburg, Russia

鈥楾he Clowns of God鈥:Jerry Springer the Opera

Journal Article
Soto-Morettini, D. (2004)
鈥楾he Clowns of God鈥:Jerry Springer the Opera. Contemporary Theatre Review, 14(1), 75-87. doi:10.1080/1026716032000148546

Rude Scottish Drama and the 鈥楶sychosomatics of the Zeitgeist.

Presentation / Conference
Soto-Morettini, D. (2002, September)
Rude Scottish Drama and the 鈥楶sychosomatics of the Zeitgeist. Paper presented at In Yer Face, University of the West of England, Bristol

Memories and Aspirations: Scotland鈥檚 "State of the Nation" Trilogy.

Presentation / Conference
Soto-Morettini, D. (2002, June)
Memories and Aspirations: Scotland鈥檚 "State of the Nation" Trilogy. Paper presented at XIV. World conference of FIRT/IFTR, Amsterdam

Disturbing the Spirits of the Past: the uncertainty principle in Michael Frayn鈥檚 Copenhagen.

Book
Soto-Morettini, D. (2000)
Disturbing the Spirits of the Past: the uncertainty principle in Michael Frayn鈥檚 Copenhagen. In M. Maufort, & F. Bellarsi (Eds.), Crucible of Cultures. Anglophone Drama at the Dawn of a New Millennium, 69-78. Peter Lang